Maybe on this New Year’s Day you’ve decided to wait out the hangover by heading to the movie theater. It’s not the worst play to be when you’re recovering from too much partying: It’s dark, the seats are generally comfortable, you’re actually encouraged to eat greasy junk food, and you don’t have to speak to other humans.
Or maybe one of your New Year’s Resolutions is to see more movies (that’s a weird one, try harder next time).
Either way, I wanted to weigh in on two movies I’ve recently seen in the theater: Anchorman 2 and American Hustle.
Anyone who’s already seen these two movies knows it’s a travesty to compare them. One of them is an over-the-top, zany, hilarious and clever film featuring some of the finest actors Hollywood has to offer. And the other one is Anchorman 2.
Let’s just knock this out of the way quickly: Anchorman 2 wasn’t very good. You can convince me that there were enough individual funny moments to make seeing the movie worthwhile, but if you try to argue that it comes anywhere near the brilliance of the original Anchorman, you’ve lost all credibility with me forever. Maybe in similar fashion to the first Anchorman, this latest installment will prove better the more I watch it. But we’ll have to wait and see. For now, I remain unimpressed. I don’t think I laughed once during the opening 25 minutes, and I was secretly rooting for the film to take a drastic turn where it would focus solely on Brick Tamland & Chani’s amazingly awkward love (Steve Carell and Kristen Wiig).
Don’t see this movie in the theater. Save it for a Netflix night when you only want to laugh a little bit. On the Ross Watchability Scale (RWS), I give it a 4.5 out of 10.
Now that we’ve gotten than bit of unpleasantness out of the way, let’s turn our attention American Hustle, a comedy-drama crime film that will most certainly be getting some Oscar nominations, both for its actors and its director/screenwriters.
Like other David O. Russell films, it’s tough to do the plot justice via a written description. The movie’s loosely based on an FBI operation from the 1970s (so loosely based, in fact, that the movie opens with these words on the screen: “Some of this actually happened”) that involves a couple of con artists working with the Feds to entrap some of New Jersey’s greedier politicians. Except that the FBI agent leading the operation is almost as incompetent and distractable as the con artists he’s supposed to be in charge of. And while Christian Bale’s con artist Irving Rosenfeld and Bradley Cooper’s FBI agent Richie DiMaso appear to be the people in charge of this cat-and-mouse game, it’s really the women that make the big moves and drive the story. Amy Adams is fantastic as Bale’s partner who ends up in the middle of everything, but Jennifer Lawrence steals the show as Bale’s bitter and unstable wife. I’d estimate Lawrence only had 20 minutes of screen time in this entire movie, but she was so good, she’d better win Best Supporting Actress at the 86h Academy Awards in March or else.. (or else what? Or else I will never attend the Academy Awards no matter how bad they want me there. That’s how serious I am about this.)
If the previous paragraph didn’t sound like much of a plot description, that’s because it’s impossible to appropriately capture all the madcap zaniness of this film. Just know that it was super entertaining the entire time, the acting was amazing and the twists and turns at the end completely legitimize this movie as a crime drama.
You should see this movie if: You enjoy incredible movies; you liked other David O. Russell films; you enjoy seeing today’s best actors submitting possibly their best work of their careers; you gravitate towards movies that have the perfect amount of comedy, drama and intelligent plot; you’re as obsessed with Jennifer Lawrence as I now am; you appreciate outrageous comb-overs and perms; you want to see the most glorious usage of constant side boob ever seen on screen.
You should not see this movie if: I don’t know, actually…if you hate good entertainment, I guess?
On the RWS, I give it a 9.5 out of 10. This is now the highest-rated film of all time using the RWS.
Poor Wolf of Wall Street…before I even see it I know it doesn’t stand a chance to match wits with American Hustle.